A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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黑色小人渣
2024-08-11 02:24
颜叙
2024-08-10 11:46
峰宇-
2024-08-11 08:17
路过。。
2024-08-11 09:54
阿哆
2024-08-11 07:23